[Intro - single piano chord ringing, vocal entering close and weary] There was a girl Who couldn't sleep at twenty-three She had a notebook by the bed And every night she wrote the question down Am I really? [Verse 1 - close vocal, conversational, list of disciplines] She kept a list of every Sunday she felt nothing She kept a list of every prayer she couldn't finish She had a journal full of self-suspicion And a Bible underlined in three different colors She read Edwards on the affections She read Owen on the mortification of sin She did the work She did all of the work And every night she wrote the question down Am I really? [Pre-Chorus - cello entering, build] And the pastor said examine And the deacon said examine And the small group said examine Until the examining became the faith And the faith was the examining And she could not tell the difference [Chorus - haunted, building, soft lift to relative major] Am I really? Am I really? Am I really His or am I fooling myself? Am I really? Am I really? Have I done enough to know that I am known? [Verse 2 - the sermons feeding the treadmill] She heard the harder-softer dynamic preached every week If grace makes you joyful, you didn't really get it If grace makes you confident, you didn't really get it If grace makes you rest, you didn't really get it You had to come back trembling You had to come back uncertain You had to come back asking the same question And the question was the proof you were lost [Pre-Chorus] And the pastor said examine And the deacon said examine And the small group said examine Until the examining was a prison And the prison was the faith And she could not tell the difference [Chorus] Am I really? Am I really? Am I really His or am I fooling myself? Am I really? Am I really? Have I done enough to know that I am known? [Verse 3 - the turn, vocal closer, the cessation] She stopped writing one day She didn't decide to stop She just stopped And in the silence she heard a different question Not *am I really His?* But *is He really mine?* The answer came back from a hill The hill was older than her doubt The answer had been there the whole time The whole time she was asking the wrong question [Bridge - sparse, cello swelling, vocal close, harmonica entering] The question was the wrong way around She was asking if she was His But He had said it on the cross *Yes* Before she was born *Yes* Before she could ask the question *Yes* And the question dissolved Because the answer was older than the asking [Final Chorus - opening up, vocal harmonies, the question turned around] Not am I really His He is really mine Not am I really His He is really mine The hill answered before I asked The cross answered before I doubted The Author answered before I was born And the question is at peace [Outro - piano settling, vocal stacks fading, harmonica trailing] He is really mine He is really mine The hill is older than the doubt He is really mine